Local Fan Base

Estimated Local Fan Base: Gigmor Exclusive

We are super excited to announce the arrival of a new tool that will help both the artist and talent seekers during the booking process, Gigmor’s Estimated Local Fan Base

It’s designed to see artists’ audience growth and career trajectory in one place. We believe this will become an essential tool for indie artists who are growing their career and building a fan base as well as for talent seekers who are trying to predict ticket sales and concert attendance.

The Estimated Local Fan Base draws data from an artists social media in a way that is totally unique to Gigmor. Our engineering team developed an accurate way of counting how many fans that artist has in their own city. They also went one step further and developed a way to tell how many fans that artist has in the Talent Seekers city.

Let’s use Junior227 GigScore for example.

  • Junior227 is a Pro Member.
  • Lives in Denver. 
  • Below ‘Estimated Local Fanbase’ you will see ‘Artist Location.’ 
  • To the right, is ‘My Location’ which is where you are located.
  • Toggle between both to see the difference in the local audience estimate.

In his location, he has an Estimated Fanbase of 60. In LA, it’s 412.  Pretty cool information to have in your arsenal, right? Take a look around Gigmor and you’ll find some pretty amazing artists with some really high scores. Scores that will, hopefully, make booking easier and more reliable for you!  

We’re already planning to add more functionality to what we hope is an essential tool, so stay tuned! To check out how big your local fanbase is, just head to your public profile and click the GigScore tab.

Thanks,

Team Gigmor

From the archive: How to book shows

host a gig

Host a Gig in Your Own Space

Live music is one of the most effective marketing tools for businesses. In fact, 90% of live music fans say that brands can enhance the live music experience and 63% of fans say they are more likely to connect with brands during a live music event (https://www.adweek.com/brand-marketing/90-of-live-music-fans-say-brands-can-actually-enhance-the-experience/). Hosting a gig in your own space is one of the cheapest and most effective ways to build a real relationship with your customers. 

At the Governors Ball Music Festival, both Subway and Citibank experienced tremendous success with their promotions. Subway hosted a tasting area with sandwiches and other refreshments that included a DJ and Citibank had a private viewing area for Citibank cardholders.

It’s one thing to realize the potential that live music could have on your marketing strategy but it’s quite another to plan and host a gig. The good news is that it’s a lot easier than you think. Follow these steps and you’ll be hosting your first gig before you know it!

  1. Make sure your space is good to go.
    • Ask yourself a few logistical questions to get an idea of what kind of artist you want to book and when you want to schedule the concert. How many bathrooms do you have/need? Will the neighbors be angry if you book a metal band? Stuff like that. 
  2. Artist booking and scheduling.
    • Obviously, Friday and Saturday nights are the most popular nights for live music but they also have the most competition. Hosting a concert mid week could be a great strategy if your neighborhood has good pedestrian traffic. 
    • Artist booking is the fun part. What kind of artists do your customers listen to? What kind of music resonates with your brand? Once you decide this, you can create your gig post (link) and find a band. Make sure the artist knows what equipment they need to bring and what you can supply. If you don’t have speakers or microphones, no worries! Most artists are used to this and will be able to supply their own gear. 
  3. Promote and plan.
    • Once you’ve set a date and booked an artist you can finally start to promote. Artists will help carry the burden so make sure they are posting to their social media and getting their fans to come. You should do the same – put flyers on your sales counter, send a message to your email list, post to social, put a sign outside your store. Do everything you can to get people excited and bring them in the door. 
  4. Show time! Hosting the gig
    • So, you found a band, promoted the show and and brought people in the door. Congratulations! Now, make the most of it. Make sure people know where they are and what you do. Yes, it should be obvious, but don’t take that for granted. If you’re a gym, pass out flyers for membership discounts. When you’re introducing the band, introduce yourself, talk about your business. Pass out free samples. TAKE PICTURES AND VIDEO. Rinse and repeat. 

It may seem daunting, but once you get going you’ll find it’s a much smoother process than you think. Remember, we’re here to help! 

Good luck, 
Team Gigmor

American Idol Partners with Gigmor

booking shows

Booking Shows – How To Book a Gig

Booking your first gig is hard. Even if you’ve played a few shows before, booking can still be challenging. That’s exactly why we created Gigmor – to make booking shows as quick and easy as possible. Here are our top tips for early-stage artists to book more and higher quality gigs. Follow these tips and you’ll book a gig in no time!

·      APPLY AND MESSAGE TALENT SEEKERS EARLY

         Most venues and talent bookers will plan their schedules many months in advance. If you’re looking for shows this month, you’re probably out of luck. They want to plan well in advance in case anyone cancels or reschedules. That’s why you should reach out at least 4-6 weeks before you want to play. That gives them time to check you out and to begin putting together a full bill of other artists.

Pro Tip: Even though we recommend planning ahead, you can also check out our gigs page for last minute gigs. Talent seekers will often post gigs with short notice to Gigmor because they had a cancellation or change of plans and need to find an artist fast.

·      UPDATE YOUR GIGGING HISTORY

         This is probably the most overlooked but important part of your Gigmor profile. If you don’t have any gigs under your belt, don’t worry! You’ve probably played at house parties, busked or streamed a performance on YouTube. Put that in your gigging history! Talent seekers want to know where you’ve played and how many people you can draw but, more importantly, they want to know that you’re putting in the effort to play live and build an audience.

·      NETWORK, BUT NOT REALLY 

         Networking is not what you think it is. We should really just eliminate the term and change it to “hang out and make friends” because that’s what real networking is. Let’s say you book a gig on Gigmor, you play the show and it goes well. But now what do you do? Don’t talk to anyone and bounce after your set? NO. This is the perfect time to just hang out. Get to know the people working at the bar, have a drink, make friends. That is key to getting repeat bookings in better time slots.

Hope that helps you gigMORE! 

Rock On, 

Team Gigmor

American Idol Back On Gigmor

DNA-DUO: The HVTS @ Hotel Cafe

We hear about sibling teams in mainstream culture dominating many walks of life – in sports, in the film industry, and in music. However, they seem to elude us most of the time, so when we find a golden duo, they become very hard to ignore. I stumbled across this brother-sister duo, The HVTS and was hooked immediately. Take a look at them performing their original instrumental jazz track called “Jazz” at The Hotel Cafe.

It may take a special ear to groove along to their sound, but it shouldn’t take much to get wrapped up in their original beats. The chemistry between the two of them is obvious – the sibling connection is evident in the chords and melody lines. You can feel the chemistry vibrating through each note as they rock along to their smooth rhythms.

GunZ is a self-taught guitarist with an obvious natural affinity for the instrument. He practically becomes the instrument while he’s playing, and is always riding along, keeping tempo with his constant yet iconic chords. NVNDI always brings along her melodic lines that can be sulky yet sweet in their moodiness. She also pulls out her flute some of the time to jam along, woodwind-style. Though an unlikely match-up, it works. Her brother calls and she responds, and the two have natural chemistry that is simply hard to ignore. Watch this clip of them performing their original song “Dynamite” for the Tiny Desk Competition 2017.

The two are continuing to explore their music agenda – bouncing between funk, rock, jazz, and a combination of genres. None of their songs fully gravitate in a single primary direction – even in their jazziest songs they have a funky, rock-type guitar line that comes in and causes a unique fusion that’s hard to describe. The two are working on an EP, New Day, which they plan to release in the near future. They frequent many popular Los Angeles venues and are looking to share their talent all over. Check their page to see when they’re performing next so you can get a glimpse of this powerful dynamic DNA duo rocking out live! Check out their promo video for a few more clips of them performing!

Gigmor partners with SoundCloud

Wendy Parr: I am a coach – it’s who I am.

It’s not every day when we meet a person who really can say that they’ve traversed every aspect of the music world. Nor is it every day that we meet a person who can say that in addition to their multiple accomplishments all over the music-production spectrum, they have devoted a lot of their life to helping other people. However, I had the privilege of chatting with one such person, by the name of Wendy Parr.

Wendy Parr founded an organization called The Artist’s Circle in order to bring community, networking and multiple modes of support to artists who are otherwise lonely or unsupported in the music world. The Circle hosts many events in which members have the opportunity to connect and learn about each other, make friends, and make connections that give them a leg up in the industry. I wanted to get to know the mind behind the magic:

I was wondering if you could give me a general summary of what it is that you do as a coach and a mentor in the Artist’s Circle? 

I’ve been coaching for 27 years, and eventually I just saw – well, for me as a person, I think we’re all here to grow and evolve as human beings, and working with all of the artists, I find everybody going through the same thing alone, and not knowing that there’s other people going through similar things. I tend to be a resource for a lot of people, and I just kind of put it all together that I don’t need to be the only resource and that people can be there for one another, and there is power in community and connection. So, I really started the circle and it took a while to evolve into the format that it is now, that normally works and people are responding to well. Essentially it’s mindfulness work, it’s true networking and it’s a combination of working on the inner work – sometimes we have meditation classes and play improv games. We also do business work, like I have marketing people as special guests, we’ve had an event at rolling stone magazine…So I’m bringing the people that I work with and that I know and the resources that I have, to give people an opportunity to connect with people that they otherwise wouldn’t have been given the chance to connect with. Also, they are really connecting with one another, so there is a strong community where our artists can really be there for one another. Historically, successful artists have had friendships and connections with other artists; it’s how you grow. You encouragement from one another and feedback. People are so often doing their thing and saying, “well where’s my team?” because they don’t have a team yet. And if they have a team, their team is only there to move their career forward. They’re not other artists who can just connect with them and understand them on an artistic level. So this is a three step place for vulnerability and connections and friendship and collaboration as well.

I know you’re a professional coach, but how did you start out in the music world?

I started performing and working when I was eight years old. I was acting, I was doing TV, I did a lot of musicals. By 15 I was performing about 3-4 nights a week in clubs, singing in a jazz trio, things like that. So I started as a performer, and I started studying with my vocal coach. I went to NYU for a minute, but when I came back to LA, my famous vocal coach invited me to be a coach. I said, “I don’t know how to teach!” And he said, “Sure you do. You know how we helped your voice and how you’ve worked your voice to help other people. Help other people while you’re working on your music career.” And at this point, I had already started in college, where my friends – who are all now working as comedians and stuff – they would ask me, “Hey can you show me this thing I want to sing a little bit…” and would say, “Can you help us do harmonies…” So I was already casually doing it for fun, and then I officially started teaching at 20 years old in a studio. But I discovered how much I love it, and that’s really what I am; I’m a coach. It’s not even what I am but rather who I am. If you showed me how a car works, I’d be showing someone else tomorrow.

Was there a specific moment when you realized that that was who you were? Or did it take a bit of time to realize that coaching was where you were meant to be? 

It took a little while, because I was still performing and working on my career as an artist, and I did both for a long time, and then I just realized. I love making music – I have a record, I have an EP out, I have a record that i’m still working on – but I just realized that my energy wasn’t going towards “when can I take myself on tour” but more “how can I build my coaching.” You know, when it’s a beautiful day outside you can take the day off, but when someone walks into my door, I say, “Oh my gosh I have so much to show you!” I just realized how enthusiastic I was and how much I loved doing it. And I’m a songwriter, so I write music, I write for others. I sing, I still sing, but I’m not trying to pursue being an artist. But it did take me a while to sort of let go of this dream that I’d had all of my life. I had thought that was just what I was supposed to do. but, it was sort of like a jacket I outgrew. Yeah. So I do all kinds of things with music. I still sing, I sing songs I write, do demos, but I just don’t dream of being a singer anymore.

Let’s diverge for a second. What is the best concert you’ve ever attended? 

Prince, Leonard Cohen, Stevie Wonder – those are probably some of the best shows I’ve ever seen. And of course the shows I coach. Seeing the artists I coach is different. Those shows I was talking about were mostly from when I was young and they were very influential. Prince was probably one of the best performers I’ve seen in my life. But, you know when Regina played Radio City Music Hall last year and the year before, I was in tears watching her. I’ve been coaching her for 14 years, and she made me cry with her performance. I certainly don’t take credit for her talent, but I could definitely hear it. It was the first time in my life, you know I’m an adult by this point, I’m 47. But it was the first time that I’ve acknowledged, “Oh, I’ve had an influence there!” And I could hear it; I could hear how I’ve helped her grow. It made me very proud to acknowledge.

So I got the sense that you started the Artist’s Circle because you felt that there was a lack of support within the music industry as far as emotional guidance and networking help. What is the biggest effect that you intend to have with the Artist’s Circle? 

I would like to make artists feel more fulfilled as artists, and there’s a few things I think the Artist’s Circle can help do. It can help artists in not giving up and not falling through the cracks before they start their career. We can help artists who are already in the midst of their career and give them a community so that they don’t spiral out. Being on tour is very lonely. Success can be very lonely. I’m really interested in helping people have genuine connections with people that they can really trust and talk to so that the loneliness isn’t as much there. It can also help with tools – tools to help them with the ups and downs in life and in their careers. We teach them tools to feel happier and to be more fulfilled and balanced as a creative artist. Generally speaking, the Circle is where people learn their craft, like “here’s how you do your part.” I was never schooled on that. School doesn’t really prepare you for life. It only teaches you skills, but that’s what this is about. We teach people how to deal with their fears, about why they make the choices they make and how they can make better choices, how to have more community and less competition. I want to help people have a better human foundation. In terms of networking, there have always been music seminar weekends where people would go in hopes to meet people and have luck. It was like the lottery. People would go hoping that something would happen, and they’re all B.S. Nobody actually knows you unless your music is off the charts, and at that point, if your music is off the charts, chances are everybody already does know you, and that’s not how it’s going to happen. So, this is an actual networking experience because we have intimate conversations, so you really get to know someone right away. We give people a space to really get to know one another, connect with one another, and it’s even a space of vulnerability. Real connections happen this way. One guy today told me from the one event we had in Israel – we had one event when I was there – he said, “I’m still getting so much out of that experience. That guy that I met at the circle, we’re still talking, I’m going to London and I’m going to go make music there, so many of the tools that we talked about gave me courage to do things that I’ve wanted to do but haven’t yet.” And that’s just one guy. These people say that the circle gave them courage and support to be able to do the things that they want to do.


Click here to learn more about Wendy Parr and the Artist’s Circle. ALSO, for Gigmor members, there are some special prices available. For gigmorcreative members, you get a $25 ticket ($10 off the explorer ticket) for your first event. Any Acgigmormember will get 25% off of all memberships.