An Interview with Shana Halligan, an electronic and soulful singer

 

Gigmor sat down with up-and-coming electronic/R&B artist Shana Halligan to discuss the trajectory of her career, her writing process, her inspirations, and what’s new in the studio. Shana is an independent, electronic/R&B artist based in Los Angeles, CA. Read up on what is new with her below:

 

So, first things first, how did you learn about Gigmor. What has your experience with it been like?  

My manager turned me onto it. I was originally working with an agent who was laid off from his agency, so I had to go and look for alternatives in the meantime. Gigmor was a great way to do that, to fill extra space in my schedule with gigs nearby. I also had a publicist who recommended Gigmor. It has a good name around town, too, so I just got going on using it.

 

How did you get started in the music industry? Where did it all begin for you?

I was raised by wolves! I kid – I grew up in a family of musicians. I have been exposed to it since I could talk. I have been singing on commercials and all kinds of things like that since I was a kid, which eventually morphed into songwriting. I tried to go another route for a little while and took a detour from the music; I started working at banks or restaurants or on the music production side of things. But I eventually accepted my fate and went back to music.

What is your songwriting process like?

When I was going in-and-out of record deals, I didn’t write on my own too much. A lot of the time I was singing what others were writing for me, or songs that had already been written. But around the age of 19 things started to change for me. I started sitting down at the piano and writing on my own, and it all took off from there. I started to fall more in love with the music that I could create on my own. That’s where I started to build the craft, and get closer to the sound I wanted.  I take a lot of influence from soul and R&B, and I grew up listening to the classics like Sarah Vaughn, Billie Holiday and Grace Jones. I work to focus my music so that it does have a raw sound of something from the past with electronic undertones. I see a lot of artists doing this together: the mixing of the new and old like that. It makes it more about the vocal and the sultriness less than a huge production style.

What artists have been inspiring you recently?

Like I said, I’ve always been touched by artists like Sarah Vaughn and Billie Holiday, but more current artists that I love right now are Flume, James Blake and AlunaGeorge.  I also really look up to Marian Hill, or I love their music rather. I was touring with a French band, Morgan Kate, for a while and that was a huge inspiration for me because I tapped into the power of being a strong and sensual woman without comprising your integrity.

You can find Shana Halligan’s newest album, Back to Me, can be found here and is also available on iTunes, Spotify, Amazon, and Google Play. Don’t forget to check out Shana’s profile on Gigmor, here!

 

drake

Drake – Cynical Worldview & “Fake Love”

Soft-boy Drake is back. In his confused, bad relationship-ridden, “love is so fake and girls are using my wi-fi for their girl-on-girl brawls,” Drake has given again. He dropped his newest single, “Fake Love,” this morning with a marimba-like production and message reminiscent of “Hotline Bling,” that brought more Spotify streams than ever before.

The production is so similar to “Hotline Bling” that you’re left wondering and confused: is this a sequel situation from a soft-boy trying to recover from his recent break-up from the hottest girl on the internet? Unsure, but as a loving fan was waiting for something a little more raw, a little something that reminds us all less of the “you called me on my cellphone.” It’s all to reminiscent, and it always has been for Drake. Something new, for him, always seemed a little too far away from the Apple Music deal he has just recently locked in. Infectious, well-produced pop music is always undeniably good. It’s a constant for our current amalgamation of musical nothingness to play with, dance with, and get intimate with before something similar comes around. Here’s the newest from our favorite Canuck:

How the Roland TR-808 Changed the World

bruno mars

Bruno Mars is a national treasure

Bruno Mars

Think of the songs and artists that the next generation of listeners are going to love. Imagine what music your hypothetical child will run over to you in a wave of excited discovery.

“Did you listen to this when it came out? Did you know about him? Did you love them, too? Did you see what he was doing here?”

My hypothetical kid is incredibly deep, apparently. It’s an interesting imagination: thinking about what is going to leave the public’s popularity and what is going to stay. Bruno Mars is going to stay, and I’m sure of it. Nothing in today’s musical schema is such pristine pop music.

Bruno has a three octave tenor range. Mixing pop with reggae with R&B and sometimes soul and hiphop, he hasn’t missed a step yet. He dips and dives into production styles that feel infallible in their ability to excite. Bruno’s SNL performance last night reminded us all of the power in this man’s five foot three frame. He is our smaller CeeLo Green. He is picking up where “Brick House” left off. A pop artists who is truly deserving of the title. His SNL performance is below:

https://www.youtube.com/watch?v=1XmcX9x4OqY

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