black history month

The Music of Black History Month

We’re honoring this Black History Month by recognizing and celebrating ten iconic and influential songs by black American musicians: 

Strange Fruit by Billie Holiday (1939) 

Strange Fruit Billie Holiday

This 1939 protest song originated as a poem concerning the lynching of black Americans in the South during the Jim Crow Era. Its haunting lyrics describe lynching victims as a type of strange fruit that hangs from trees, rots in the sun, blows in the wind, and becomes food for crows. This raw and powerful song has been referred to as “the beginning of the Civil Rights Movement” and “a declaration of war.” Holiday received demands to stop singing “Strange Fruit” from powerful groups including the FBI, but bravely kept performing, sending a powerful message of resistance that further heightened the song’s prominence in the Civil Rights Movement. 

We Shall Overcome 

we shall overcome

Originating from the 1901 gospel song, “I’ll Overcome Some Day,” “We Shall Overcome” is known as one of the most significant protest songs of the American Civil Rights Movement. While it has been covered countless times, the most well known common day rendition is accredited to Pete Seeger, director of the People’s Song Bulletin. Its lyrics concern the act of overcoming bigotry, violence, and hardships, lending itself perfectly to become the “unofficial anthem” of the Civil Rights Movement in 1959.

“We Shall Overcome” was performed at protests, rallies, festivals, and concerts across the country in the 1960s. For example, folk singer Joan Baez led 300,000 people in singing “We Shall Overcome” during A. Philip Randalph’s March on Washington at the Lincoln Memorial in 1963. Additionally, Martin Luther King Jr recited the song’s lyrics at his final sermon on March 31, 1968, just four days before his assassination. Over 50,000 people came together to sing “We Shall Overcome” at his funeral days later. Because of its prominence in the Civil Rights Movement and its empowering message, “We Shall Overcome” is still performed at protests around the world today. 

A Change is Gonna Come by Sam Cooke (1964) 

change is gonna come Sam Cooke

This 1964 R&B hit is known as one of the most recognizable anthems of the American Civil Rights Movement. Inspired by other songs of the Civil Rights Era, Cooke wrote “A Change is Gonna Come” after his band was turned away from a Louisiana “whites-only” Motel. This emotional song has received abundant critical acclaim, being placed at number 12 on the Rolling Stones’ list of the “500 Greatest Songs of All Time” and selected for preservation in the Library of Congress. “A Change is Gonna Come” has remained prominent for decades and is still sung and referenced in protests and marches for the Black Lives Matter movement. 

Dancing in the Street by Martha Reeves and the Vandellas (1965) 

Dancing in the Street by Martha Reeves and the Vandellas

Although this upbeat song was originally written as a party song about having a great time no matter where you are, it is now best known for its role in the Civil Rights Movement. In the context of the political and social turmoil of the 1960s, “Dancing in the Street” was reclaimed as a protest song that promoted social change, as its joyous lyrics were interpreted as a message to reject passive peace and fight for the freedom of minorities in America. When asked about the song’s importance, Reeves was committed to the original meaning, saying “My Lord, it was a party song!” However, her intent doesn’t change the impact that this uplifting song had on the Civil Rights Movement. 

Say it Loud, I’m Black and Proud by James Brown (1968) 

Say It Loud I'm Black and I'm Proud James Brown

This 1968 funk song is celebrated for powerfully promoting black empowerment and independence. James Brown’s main goal with “Say it Loud, I’m Black and Proud” was to encourage self-esteem in his African American listeners, coining the anthem as a “rallying cry for peaceful self-pride.” The song has had a widespread impact, as described by Public Enemy’s Chuck D: “The sheer magnitude of ‘Say it Loud’ was an implanted, soundtracked theme into understanding that our minds, bodies, and souls were black and beautiful.’ 

What’s Going On by Marvin Gaye (1971)

What's Going On Marvin Gaye

In the 1970s, Marvin Gaye was tired of singing purely romantic music and wanted to turn towards socially conscious artistry, a desire that manifested in the creation of “What’s Going On.” This song’s powerful lyrics are a plea for peace on earth and equality, asking why we treat each other so poorly and hoping for a future of greater love and understanding. Although Berry Gordy of Motown Records was worried that no one would want to listen to a romantic singer perform political music, Marvin Gaye released this song to extreme commercial success in 1971. “What’s Going On” has since received widespread critical acclaim, and is considered the 4th greatest song ever according to Rolling Stone’s “500 Greatest Songs of All Time” list. 

F**k Tha Police by NWA (1988) 

Fuck the police NWA

This 1988 protest song addresses the injustices of racial profiling and rampant police brutality in America. Inspired by an experience when the LAPD forced members of NWA to lay in the street with guns pointed at their heads, the lyrics of “F**k Tha Police” create an image of a trial against the police, where NWA members give testimony and judge the proceedings. Its title has since become an influential slogan that is often chanted at protests against police brutality. 

Alright by Kendrick Lamar (2015) 

Alright Lendrick Lamar

Lamar has described “Alright” as a message of hope in the face of racism and inequality, using messages of solidarity to convince the audience that, together, “we gon’ be alright.” This song became associated with the Black Lives Matter Movement after its chorus was chanted at youth protests in 2015/16, and has since been referred to as the “unifying soundtrack” of BLM, “this generation’s ‘We Shall Overcome,’” and even “the modern Black National Anthem.” 

Formation by Beyoncé (2016) 

Formation Beyonce

“Formation” is a song of black positivity and empowerment, with Beyoncé’s lyrics proudly celebrating her heritage as a black American from Alabama and Louisiana. This anthem was released on February 6, 2016, one day after what would have been Trayvon Martin’s 21st birthday and one day before what would have been Sandra Bland’s 29th. 

This is America by Childish Gambino (2018)

This Is America Childish Gambino

“This is America” addresses issues of gun violence and the lasting impacts of systemic racism in America. Upon its release, the song was celebrated for its powerful music video, which alludes to subjects like Jim Crow policies and the 2015 Charleston church shooting. Written during a time of extreme political turmoil and unrest in America, “This is America” provides a commentary on America’s overwhelming numbness towards racism and mass shootings. Gambino expertly juxtaposes positive and darker sounds and lyrics to symbolize the contrast between the media perception of black American life and the realities of what it means to be black in the US. 

Live Music Unites in Covid Vaccine Rollout

sea shanties

Sea Shanties are conquering the internet

Contrary to popular belief, the most talked about musical sensation amongst young listeners at the moment is not Olivia Rodrigo’s breakout hit “Driver’s License,” or SZA’s “Good Days,” or even Ariana Grande, Doja Cat, and Meghan Thee Stallion’s exciting “34+35” collab. In fact, the musical trend taking over the globe right now is not even from this century. Thanks to the power of viral TikTok videos, Gen-Z and Millennial music fans have surprisingly grown obsessed with traditional sea shanties. 

Sea shanties are a style of 19th century folk song that were originally sung by merchants, pirates, and sailors at sea. Their lyrics and tunes were purposefully created to be simple and catchy so that crew members could easily learn the songs and join in. The collective singing experience was an important tradition, as it enabled crews to focus and unify while sailing. 

This forgotten style of music has unexpectedly turned into the biggest musical trend of 2021, thanks to a TikTok posted by 26 year-old Nathan Evans in which he sings “The Wellerman,” a 1860s sea shanty. The video began to garner attention in late December as fellow TikTokers created duets to add their own voice or instrument to the performance. The original video and its duets quickly received millions of views, prompting the creation of the trend “#ShantyTok” and inspiring others to join in. As of February, Evans’ original video has amassed over 11 million views, while videos tagged with #Wellerman and #SeaShanty have reached over 140 million and 4 billion views respectively. 

As #ShantyTok grew in popularity, fans were inspired to give their favorite 21st century songs the sea shanty-treatment. Remixes of Cardi B and Meghan Thee Stallion’s “WAP,” All Time Low’s “Dear Maria Count Me In,” and Smash Mouth’s “All Star” have gone viral, amongst others. Even the US Navy Band joined in, putting their own shanty-spin on “We Are Never Ever Getting Back Together” by Taylor Swift. These modern day shanties have prompted musicians across genre and generation to get involved in the trend, including Andrew Lloyd Weber, Jimmy Fallon and the Roots, and Brian May of Queen. 

While it may seem strange upon first glance, it’s really no surprise that sea shanties are the new anthem of 2021. These songs are primarily about connection and collaboration, two things that we are all searching for as we enter the 11th month of COVID-19 restrictions. As #ShantyTok creator Nathan Evans said, “everyone is feeling alone and stuck at home during this pandemic, and [shanties] give … everyone a sense of unity and friendship … [they’re] great because they bring loads of people together and anyone can join in.” This special style of music is surprisingly exactly what the world needs right now, and TikTokers like Evans are creating a global community, one sea shanty at a time. 

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vaccine rollout

Live Music Unites in Covid Vaccine Rollout

Live music is undoubtedly one of the industries that has been hit the hardest by the COVID-19 pandemic, with countless jobs lost, venues shuttering across the globe, and many businesses losing close to 100% of their revenue. The eventual recovery of this industry is largely dependent on the speed of the COVID-19 vaccine rollout, which has been a sluggish process so far in the United States. In response to this slow pace, the live music industry came together last week in a letter addressed to President Joe Biden to offer its assistance with COVID-19 vaccination efforts.

The live music business is uniquely suited to help with the vaccination process, as America’s plentiful venues are equipped with ticketing and notification systems, crowd-control facilities, and refrigerators capable of storing large quantities of the vaccine. Live event venues are also often located near public transportation/parking and have an abundance of unemployed and furloughed workers who are looking to get back to work. Recognizing these advantages, the live music industry has been ready and willing to offer their services to COVID-19 relief efforts since March 2020. However, under the Trump administration, their resources were never requested by the federal government. The slow vaccine rollout has thus been disappointing and frustrating for live music professionals, as expressed by Michael Rapino, CEO of Live Nation, in a tweet on January 16th: “If the live event industry was tasked with vaccination distribution we would have done it in a weekend, sold t-shirts and beer and a meet and greet with [Anthony] Fauci.” 

Last week’s initiative began with Wayne Forte, founder of Entourage Talent, who was eager to offer the live industry’s support to the new federal administration. He contacted colleagues across the industry, including Coren Capshaw of Red Light Management, Live Nation CEO Michael Rapino, AEG CEO Jay Marciano, and NIVA President Dayna Frank. The letter addressed Biden’s plan to vaccinate 100 million Americans in his first 100 days, emphasizing the live event industry’s unique capacity to assist. It was cosigned by AEG, Bandit Lies, The Broadway League, the International Alliance of Theatrical Stage Employees, the International Alliance of Venue Managers, Live Nation, the National Association of Music Merchants, the National Independent Talent Organization, the National Independent Venue Association, Oak View Group, Save Live Events Now, and We Make Events. 

This letter comes just one month after the Save Our Stages Act became a law as a part of Congress’ COVID-19 relief package. This much-needed bill allotted $15 billion dollars in federal aid to independent venues and music industry professionals, and was passed largely due to the efforts of NIVA, one of the co-signers of the letter to Joe Biden. Forte said that the industry’s offer to Biden is not only an important way to promote public safety, but also the “perfect giving back situation” for the Save Our Stages Act. 

Forte is hopeful that the resources offered by the live industry will greatly expedite vaccine rollout, bringing the country one step closer to normality and the return of live music. The letter closes with this powerful plea:

“We have been closed for nearly one full year to protect public health. Please let us now go to work to protect public health. We share your goal to get America back to work, school and in gathering places of all kinds quickly and safely. We are ready to meet to discuss how we can help as soon as you and your staff are able.” 

If you are interested in reading the rest of the letter, click here.

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